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Live in St Petersburg, 2000

by Tuxedomoon

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/
1.
KM / Seeding the Clouds 10:55
2.
Desire 06:33
3.
Fifth Column 03:17
4.
Tritone (Musica Diablo) 03:57
5.
James Whale 03:48
6.
Again 07:50
7.
Nite and Day 08:32
8.
Volo Vivace 03:26
9.
Loneliness 06:06
10.
Nazca 04:52
11.
59 to 1 05:38
12.
Nazca (Reprise) 04:19
13.
The Cage 03:45
14.
Litebulb Overkill 03:07
15.
Waterfront Seat 06:53
16.
What Use? 05:25

about

“The St Petersburg gig, on November 27th, 2000, rested on the initiative of a long time fan, installation artist and designer Oleg Kuptsov, along with Gleb Palamodov and Sergey Vasiljev. All three had been dreaming for many years to see Tuxedomoon playing in their home town. Oleg Kuptsov: “This gig was my first experience of the kind as I’m not a concert promoter. When friends from the Materiali Sonori label told me that the band was going to make a tour of some European cities in November 2000, I sent an email to Steven Brown to propose a date in St Petersburg. He was quite enthusiast about the idea.

When the band finally showed up on November 26th at St Petersburg’s airport, after months of preparation, I almost couldn’t believe it. To my view their show at the State Music Theater was truly amazing, powerful and extremely well received by the audience. It sounded like fresh contemporary music although these were pieces that they composed more than 20 years ago.””

(Extract from Isabelle Corbisier’s Tuxedomoon biography, “Music for Vagabonds”, 2008; used by permission of the author) 

credits

released December 19, 2018

Recorded live at State Music Theatre, St Petersburg, 27 November 2000

Performers:
Steven Brown
Peter Principle
Blaine L. Reininger

Tour manager: Carlos Becerra

Originally released by Neo Acustica, 2002

Band leisure photo by Oleg Kuptsov

Project management by Heitor Alvelos

tuxedomoonarchives.bandcamp.com

In loving memory of Oleg Kuptsov

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Tuxedomoon Archives San Francisco, California

An opportunity to explore in detail variations of the classics beyond their officially released versions: how they evolved, how they were interpreted at different times, how they made use of then-available technology… and then there’s the never-heard-before material. Selected according to sound quality and/or historical relevance, an ever-evolving audio-biographical puzzle spanning 40+ years. ... more

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